Filed under: Editor Picks | Tags: British Sea Power, comic books, Editor's Picks, gabon, gary war, high wolf, incapulco, nick cave, planetary, post-rock, raise yr skinny fists, stormwatch, the authority, the spoils, Warren ellis, x-men, zola jesus
PREVIEW: VISIT Warren Ellis’s website/blog
This was news to me, but apparently when Warren Ellis isn’t lovingly insulting half the world on Twitter or writing some of the most acclaimed comics of the past two decades (Astonishing X-Men, Planetary, Transmetropolitan, The Authority, Stormwatch, etc.), he’s critiquing relatively unknown music for the benefit of the greater blogosphere.
For anyone who’s initiated in any way to Ellis’s writing (notorious for meticulously layered plots, coarse dialogue and biting social commentary), it comes as no surprise that he would have just as strong opinions on music in 2009 as he does on everything else he writes about.
In his latest blog post, some highlights he discusses include Zola Jesus (“a beautiful ghost moaning from the shadows of a bombed-out cathedral”), High Wolf (“wet lo-fi tropical dreamstates”), British Sea Power (“the best piece of classical building/soaring postrock I’ve heard since ‘Raise Yr Skinny Fists.’ I mean, flat fucking out…”) and Gary War (“A gorgeous gurgling gargoyle of a thing”).
Sometimes it’s just cool to know that a 40+ year-old misanthrope — who introduced you to higher science fiction and colored your opinions of establishment politics — digs some of the same genres of music.
To ape Ellis’s own words and his tendency to close with brevity: “It is really bloody good, yes.”
— Eric Vilas-Boas, Managing Editor
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