Filed under: Best of 2009 Albums | Tags: Actor, Album, Animal Collective, Atlas Sound, best of 2009, Bitte Orca, Cymbals Eat Guitars, Dinosaur Jr., Dirty Projectors, Embryonic, Farm, Girls, Grizzly Bear, hometowns, it's blitz!, Jay-Z, Kid Cudi, Lady GaGa, Logos, Manners, merriweather post pavilion, muse, Passion Pit, Phoenix, Port O'Brien, self-titled, St. Vincent, The Blueprint 3, The Decemberists, The Fame Monster, The Flaming Lips, the hazards of love, the man on the moon: the end of day, The Pains of Being Pure at Heart, The Resistance, The Rural Alberta Advantage, threadbare, veckatimest, Why There Are Mountains, Wolfgang Amandeus Phoenix, Yeah Yeah Yeahs
So, the champagne’s out, the fireworks have stopped, the ball has dropped. The year 2009 may be long gone … But the music is still here — vibrant and waitng for masses who have yet to consume it! Naturally we want to help y’all out. Here’s 20 Watts’ list of the 20 best albums of 2009, from us to you! Enjoy!
- 20:: The Flaming Lips — Embryonic
- 19:: Atlas Sound — Logos
- 18:: Port O’Brien — Threadbare
- 17:: Girls — Album
- 16:: Muse — The Resistance
- 15:: The Decemberists — The Hazards of Love
- 14:: Cymbals Eat Guitars — Why There Are Mountains
- 13:: St. Vincent — Actor
- 12:: Lady Gaga — The Fame Monster
- 11:: The Rural Alberta Advantage — Hometowns
- 10:: Yeah Yeah Yeahs — It’s Blitz!
- 09:: Dinosaur Jr. — Farm
- 08:: Kid Cudi — The Man on the Moon: The End of Day
- 07:: The Pains of Being Pure at Heart — Self-Titled
- 06:: Passion Pit — Manners
- 05:: Dirty Projectors — Bitte Orca
- 04:: Phoenix — Wolfgang Amadeus Phoenix
- 03:: Jay-Z — The Blueprint 3
- 02:: Grizzly Bear — Veckatimest
- 01:: Animal Collective — Merriweather Post Pavilion
Love and stereo,
Filed under: Best of 2009 Albums | Tags: Album, best of 2009, Brian Wilson, Buddy Holly, Christopher Owens, Girls, Guns'N Roses, Releases of the Week, The Beach Boys
PREVIEW: VISIT Girls’ MySpace
TOP TRACK: “Lust for Life”
From the opening surf rock riffs of “Lust for Life,” Girls’ Album had many-a-listener hooked. Lead singer Christopher Owens, a former member of the Children of God cult, and orphan, sounded like damaged goods– but confidently so. His delivery of his shortcomings, wants and needs was corny, yet refreshingly and endearingly witty. Owens never tries to reinvent the wheel, but rather, just plays what’s on his mind.
Maybe that’s what stands out about Girls’ Album, above all else. Owens kindly caters to cliches without any fear of repercussion. There are no limits to Album whatsoever. One second, he’ll be strumming along to something resembling an intoxicated Brian Wilson (“Goddamn”). The next, a ’50s love ballad (“Big Bad Mean Motherfucker”), laden with profanity in his downtrodden murmur. Each track is a distinct state of mind– its own chapter in the larger, still-obscure picture.
Taking from everything from The Beach Boys to Buddy Holly to Guns ‘N Roses, there is little ground left untouched by Girls. Because of this, the space they inhabit seems absolutely limitless– a potentially weighty concept for a band in its infancy. Yet, after such a strong debut, it seems warranted. The future may hold the answers for what’s to come, but at this moment, Girls have one of 2009’s most varied and creative works on their hands.
— John Cassillo