Filed under: Genre Columns, Indie Rock, Music Theory | Tags: Alex Turner, Arcade Fire, Arctic Monkeys, Bob Dylan, cousins, Crown of Love, EP, Fleet Foxes, Funeral, humbug, Led Zeppelin, MySpace, Neighborhood #3 (Power Out), Neon Bible, Pete Doherty, Pink Floyd, Radiohead, Rubblebucket, Sun Giant, The Beatles, The Libertines, Up The Bracket, Vampire Weekend, Wake Up, Whatever People Say I Am That Is What I Am Not, Wilco, YouTube
Vampire Weekend just came out with a new single “Cousins” — and what a disappointing pile of shit! You’d figure that after making their debut album with so many great tunes, they’d be bound to make a more brilliant follow-up album. Unfortunately, with “Cousins” it sounds like the sun just rose on a Monday morning for this skeleton crew. To be fair, Vampire Weekend are not the only band that seem to be facing this problem. Throughout the decade a whole lot of new Indie bands with brilliant debut albums have been popping up—where they have barely been able to create a worthy-enough follow up.
The list goes on and on with bands and artists that got their big break this decade on both sides of the pond. In Britain, bands like The Libertines and Arctic Monkeys each released debut albums that were universally adored by critics and new fans alike: Up The Bracket and Whatever People Say I Am, That Is What I Am Not—the latter of which is currently the UK’s fastest-selling debut album (note: Britain’s Got Talent star Susan Boyle recently topped this accolade with her I Dreamed a Dream album). Nevertheless, these two bands–led by the apparent songwriting genius’ Pete Doherty and Alex Turner — never seem to have been able to top their debuts with their later works. Continue reading