20 Watts


ISSUE 19 | The Ithaca Sound: One of the Northeast’s most vibrant music scenes lies just an hour away from Syracuse. 20 Watts went to Ithaca to check it out. by Irina Dvalidze
20W November 2009 Final1edited

Caution Children are one of the many bands that characterize Ithaca sound

Nestled in the foothills of the Finger Lakes, right in the heart of wine country, Ithaca is a community secluded from the rest of the world. There are no major interstates that cut an unsightly swath through its downtown; no passenger trains rumbling across the Cayuga Valley.  One could easily assume that if it wasn’t for Cornell University and Ithaca College, Ithaca would have just been another Podunk upstate burg at the edges of the Rust Belt.

Yet this small college city, just over a one-hour drive from Syracuse and a little under five from New York City, is home to one of the country’s most eclectic, powerful, and thriving music scenes.

After all, the ever-elusive “Ithaca Sound” was created here, a fusion of familiar and ethnic music styles, fundamental to the popularity and acceptance of Roots. Acclaimed reggae group John Brown’s Body considers Ithaca home, as do country singer Johnny Dowd and folk singers The Burns Sisters.  College-town venue The Nines has been hosting the Blue Monday jam session for over 29 years. And the local award-winning college radio station WICB carries such programming as “Home Brew,” a weekly show dedicated to local music, while graduates at the School of Music at nearby Ithaca College go on to play with the Boston Symphony Orchestra and the New York Philharmonic. Continue reading



ISSUE 19 | Pop Art: Forget art school — Jim DeGraff learned to paint in concert crowds by 20watts
Degraff

Jim DeGraff sketches at a Technicolor Trailer Park show

The sound of squeaky wheels and rusted metal screeches gratingly as Jim DeGraff pulls his wagon along the edge of the Chemung Canal Trust Company parking lot. Once red, the wagon has worn to a faded brown from years of abuse. Tattered boxes stacked to capacity with tubes of paint, a jug of Poland Spring water and a canvas roll-up of paintbrushes barely fit into the cart.

Pausing briefly, he lights up a hand-rolled cigarette. Today is the first annual Rhiner Festival, a day of music and historical reenactments in Ithaca’s Waterfront District, and DeGraff is anticipating a lively day of painting and honing his craft.

The self-taught painter and former bouncer has been sketching and painting live concerts for nearly five years, and his hulking, paint-splattered form — with accompanying easel and rusted wagon — has become a common sight at Central New York concerts, especially in the Finger Lake region.

“For me, going to a concert, it’s hard unless I have something to do,” DeGraff said. “If I have a sketchbook with me, it enhances the whole experience. Artwork is like catching a moment.”

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